My projects are not about deploying some all encompassing strategy,interpreted, overused, butrather about the need for instinctual feeling, becoming aware of that feeling, allowing what is coming towards me. Hence my works are shaped by the process of going toward and observe, observe and respond, understand and then search for the simplicity of the image, capture it.


All these feelings (needs) juxtaposed to the use of burnt browns, white, black,matter (conceptualized as a base, as objective reality), the texture of trees, the soil, the grass, the hey, the light of the very moment, lead me ( made me) to paint landscapes, to discover a sort of primordial freedom, to experiment unrestricted by rules and stereotypes.


I collate to my works various objects that I find in a particular setting. The information is not filtered through clichés and trends that have arisen somewhere else; I do not impose any “rational” filter either.All was born in the absence of pressures or deadlines, all was work in progress freely and progressively

discovering the internal amassing (growing), observing the calmness of brushing

the layers, painting

Cosmin Fruntes  Scorched field  print wire in metal frame whit glass  45 x 90 cm- an 2012- 2500euro
Cosmin Fruntes Ground 2010 Oil acrilic on canvas 100x130
Cosmin Fruntes Schonefeld  mixed media on canvas  100x130 cm
Cosmin Fruntes
Cosmin Fruntes  Ground  acrilic oil pitch ash on canvas  70 x 100 cm